Daedalus’ statues would continue to frighten characters in plays by Euripedes and Aeschylus. Shock and surprise of these statues parallel the sentiments of the Uncanny Valley, an averse psychological reaction to human-like robots. Greek artists and writers described sebas (awe), thauma (wonder), and thambos (astonishment) of these stories. Hero of Alexandria made many inventions of automata that included one that could speak. Scholars debate how much of Greek history of automata is true and how much is due to mythology. Medeia and Talus by illustrator Sybil Tawse The same questions would persist through historical debates of artificial intelligence. These primitive forms of artificial intelligence challenged what it meant to be human by stretching the limits of what man can create. Writers portrayed automaton such as the defender Talos, working through blood vessels behind a bronze robotic armor, with human qualities such as emotions and judgements. These stories involved giving a sort of human intellect to inanimate objects and, through this, creating a machine that questions what humanistic values might differ from those of nature. ![]() ![]() ![]() Through their myths and stories, scholars wrestled with what it meant to be human and how man can push his biological limits to what he can give life to. Ancient Greeks spoke of the idea of biotechne, how biological phenomena such as aging can be altered with technology of humans. These “automaton” beings such as Talos would protect Crete from invaders. Greek myths of Hephaestus and Daedalus incorporated the idea of intelligent robots and artificial beings like Pandora. Antiquity Marble Statue of Daedalus, found in Amman.
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